THE KATHMANDU SESSIONS by
DANNY BEN-ISRAEL Cat #: Merry001;
Format: CD
About the
artist
A year after the famous Woodstock
Festival, the Europeans, across the Atlantic, had their own
event - the Isle of Wight Festival. The time was August, 1970,
and in front of Jethro Tull, The Who, Leonard Cohen, The Doors
and Miles Davis, sat thousands of Flower Children. Among those
young people was one, who sitting with a flock of brown curls
and a joint, didn't look very different from any of the others.
It’s just that he was different. Very much so. Aside from the
fact that he was one of the only Israelis in the festival, for
Danny Ben-Israel this was the end of a process that began with a
successful career in an IDF band (Israeli Defense Force),
blossomed into a position in Israeli culture as a local pop idol
and ended with a shut door from the Israeli establishment.
In 1968, Ben-Israel returned to Israel from an eye-opening
European trip where he discovered the world of communes, hippies
and sex and decided to apply what he picked up in Europe to his
music. Ben-Israel recorded "Bullshit 3 ¼", the first Psychedelic
protest album in Hebrew. At the same sessions he recorded six
English tracks now known as "The Lost Kathmandu Sessions".
About the album
Due to the insane character of the
recordings, Ben-Israel doesn't remember much of the sessions.
Details such as dates and the identity of the musicians involved
are foggy at best. "We heard rumors, that in Katmandu, they sold
Hashish in stores and on the street", Ben-Israel recalls. "So we
sat in Tel-Aviv and dreamt of flying to Katmandu, and that was
the inspiration for the recordings on this disc. The songs were
recorded in one take and later the technician, Craig, and I
mixed them. The people who played were
Gordon or Sheldon on the
bass; on guitar we had this kid who played really fast, the
drummer was this British guy; and Craig played keyboard.
Something like 20 people participated in the track "Bad Trip".
Half of Casit (famous Tel-Aviv Coffee shop) used to come by and
smoke bongs in the studio, and that day we had a really bad
trip".
After the "Bullshit" album was
banned in the local media for it's honesty and political
dissent, Ben-Israel packed the "Kathmandu Sessions" and decided
to take it to the United States in an attempt to interest
American record labels. On his way to the States, Ben-Israel
went to see the Isle of Wight Festival, which was sealed with a
performance by Jimi Hendrix - two and a half weeks before his
death. For Ben-Israel, as for many others, this festival
symbolized the end of the Flower Era. The seventies arrived, the
era's heroes were six feet under and the "make love not war"
slogans were replaced by Yuppie ideology.
The end of the era
gave Ben-Israel the inspiration to write the last song on this
album "The Hippies of Today are the Assholes of Tomorrow". A
month before finally going to America, Ben-Israel traveled to
his parents' house in Vienna and recorded the track in a home
studio.
Once in the
States, a small label offered him a contract but the label went
bankrupt a short time before the release was due out. Ben-Israel
forgot about the sessions and explored different paths. These
seven tracks are released for the first time, 33 years after
their original recording, and give a pristine opportunity to
examine the height of creation by an original artist way ahead
of his time.